Submissions and Breakdowns
If you are interested in submitting for a particular project, fully read submission instructions below. If submitting via email, send your headshot, resume, and any additional pertinent information to AndreaZeeCasting@gmail.com. Please include the name of the project, role you are submitting for, and your full name in the subject line.
If you are sending in a general submission, please include “GENERAL SUBMISSION” and your full name in the subject line.
UPCOMING AUDITIONS/SUBMISSIONS
Portland Center Stage 24/25 Season NYC EPA (Portland, OR)
AEA LORT B, Non-Rep
PCS’s 24/25 season NYC EPA will be held on Monday, April 22. Details and sign up via AEA. Non-Equity actors will be seen as time permits.
PLEASE, NO EMAIL SUBMISSIONS FOR PCS’S SEASON AT THIS TIME. IF YOU ARE UNABLE TO MAKE THE EPA, THERE WILL BE SHOW SPECIFIC BREAKDOWNS RELEASED IN THE FUTURE.
The 39 Steps adapted by Patrick Barlow - Virginia Theatre Festival (Charlottesville, VA)
Dir: Nick Minas. Non-Equity. 1st reh: 6/25/24 Closing: 8/4/24
Submissions accepted via Breakdown Express, Actors Access, and email
ANNABELLA/MARGARET/PAMELA- Characters are female-identifying, 20's-30's, any ethnicity. Seeking a versatile actor to play the three women with whom Hannay becomes romantically entangled. Annabella is a mysterious, beguiling German spy; Margaret is a young, shy, sheltered Scottish wife of a possessive elderly country farmer; Pamela is the spunky, independent, and fashionable British heroine. She exudes the alluring power and high style of the Hitchcock/film noir variety. German, Scottish, and British dialects. Strong comedic and physical skills.
CLOWN 1 - Seeking an actor to portray a large number of roles, any gender to play both male and female identifying roles, 20's-60's, any ethnicity. The Clowns share in playing some 150 characters in the piece. They are good at playing their roles, but tend to get carried away. The clowns are alert, curious, versatile, creative, and playful. They are theater clowns in the European/English Music Hall/Vaudeville tradition of physical clowning. The roles demand physical strength, vocal/physical transformation and delineation, stamina, humor, and tremendous character work. Various European dialects.
We are looking to fill 2 Non-Equity tracks. All AEA tracks have been cast.